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Frédérique Destribats

Book Publisher – The Sunday Publisher

Frédérique Destribats is a publisher, photography book collector and author based in Paris. She is a professional translator specialised in art and photography collaborating with various international publishers (Aperture/PhotoBookReview, Artpress, Dalpine, Filigranes, Journal, Editions La Martinière, Metabooks, RVB Books, Steidl Verlag, The Eyes, 10×10 Photobooks, Editions Textuel…); institutions (Musée de L’Elysée/ELSE magazine, Carré d’Art Nîmes, Musée d’art contemporain MCA Sydney); galleries (Galerie 1900-2000, Priska Pasquer) ; and artists (BöhmKobayashi, Sophie Calle, Vincent Jendly,  Laurent Kronantal, Jeanne Susplugas).

            She has recently initiated an editorial platform, L’éditeur du dimanche / The Sunday Publisher, dedicated to publishing challenging artists books. Under the imprint, d&books, publications include INDEX  by Antoine d’Agata (2014, editor and co-published with Editions André Frère ; Je n’ai plus peur du noir, by Suzanne Magre and Julien Magre ( 2016, co-editor et alli and co-publisher with Filigranes); Other Adventures of Pinochio by Lorenzo Tricoli (co-editor and co-publisher for the English version).

            Soon to be released, the projects of two distinctive emerging photographers,  Moshe by Sandrine Lopez and Ecume by Isidora Gajic.  

            The platform is also home to the collection, Photographers’References (in collaboration with Baptiste Lignel), a series of long-term conversations with internationally renowned artists, including David Goldblatt (2014) and Richard Misrach (2016). The next conversations with Joachim Schmid will be released in 2017.

            Editorial contributions include:

The PhotoBookReview, Aperture, Paris Photo, issue 11, Fall 2016, on photobooks for children; “The Puzzle of Absence (Reading Notes)”, in Out of the Blue by Virginie Rebetez, published by Metabooks, 2016. 

            She recently co-edited the magazine Co-Curate #2, Adolescences, published by Isabelle Evertse (2017). 

PHOTO CREDIT: © Bogdan Konopka

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